Linplug CrX4 Manuel d'utilisateur

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Page 1 - User Manual

CrX4User ManualCopyright LinPlug Virtual Instruments GmbH, 2012.All rights reserved.

Page 2

Operation / ControlsThe LinPlug CrX4 dials and sliders are operated in a linear manner, so just move your mouse up/down to modify a control. Holding d

Page 3

User Interface SectionsThe user interface of the CrX4 is a major overhaul from its predecessor CronoX 3. It has been redesigned in order to make using

Page 4 - Table of Contents

GeneratorThe Generator section is located on the upper left of the instrument’s Main There are two controls, which affect both the upper and lower Gen

Page 5

The Generator ControlsThe upper and lower part in this section are apart from the just mentioned two controls absolutely identical. The respective con

Page 6 - Installation

The Volume dial is used to set the output level of the Generator. If the Generator is being used for either AM or FM then this parameter controls the

Page 7 - Features

Time Sampler GeneratorThe Time Sampler Generator is one of the key features of the CrX4. In some ways, the Time Sampler Generator is like a convention

Page 8 - Overview

Next is the Sample Name display, which not only indicates the name of the used sample, but also has a color coding: When written in white, the sample

Page 9

Wavetable GeneratorThe CrX4's Wavetable Generator module uses a sample to generate a wavetable. This Generator works “best” with samples which ar

Page 10 - Operation / Controls

The Root control enables you to set the unity note of the loaded sample. If, for example, you set Center to C2 and play a C3 the sample will be played

Page 11 - User Interface Sections

which is looped. These three parameters can also be adjusted in the Waveform Display window allowing you to actually see these parameters right on the

Page 12 - Generator

Concept by Peter LinsenerInstrument by Peter Linsener and Pavol MarkovičGraphics by Branislav PakićSounds by Daniel Stawczyk - www.stawczyk.comdubh

Page 13 - Common Controls on Top

Settings in the Waveform DisplayThe Waveform Display window shows the currently selected sample as well as the sample's start point marker (a gre

Page 14 - Generator Spread

dynamically to MIDI input. If you overlap the velocity ranges (for example, sample 1 is triggered in the 1 to 80 velocity range while sample 2 is trig

Page 15 - Time Sampler Generator

The Loop-Mod determines the degree to which the Loop Start and Loop End can be modulated from the Matrix. In the Matrix Loop Start is labeled “Aux Mod

Page 16

Oscillator GeneratorThe Oscillator Generator is a not-sample-based source of sounds which allows a blend between sawtooth and pulse waveform with a nu

Page 17 - Wavetable Generator

Noise OscillatorA new oscillator in version 4 of CronoX is the Noise Oscillator. It is pretty versatile combining a noise source with two filters (rig

Page 18 - Loop Sampler Generator

FiltersThe CrX4 contains two independent multi-mode filters. The controls for Filters 1 and 2 are located in the middle of the GUI near the top. The f

Page 19

indicators for low-pass , band-pass, high-pass and band-reject. This special filter operates as a single type or a mix of two types, depending on the

Page 20

The Filter Envelope section is located below the just described filter parameters and is working just like any other envelope (see chapter Modulation

Page 21

The Main SectionIn the Main section you find a couple of global settings: The Chord Memory, Velocity to Amplitude modulation, Precision, polyphony (Vo

Page 22

Velocity to Main VolumeThe Velo (Velocity) dial is used to control the degree to which the played notes Velocity influences the patch volume. If turne

Page 23 - Oscillator Generator

WelcomeThank you for purchasing a CrX4 license or trying the CrX4 demo.The CrX4 is a sample-based software synthesizer, but no sampler (more on this s

Page 24 - Noise Oscillator

GlideThe Glide (or Portamento) section allows you to set the CrX4's portamento parameters. Glide continuously changes the pitch from one note to

Page 25

EffectsThe CrX4 has 6 independent, simultaneously-available stereo effects modules. Effects modules 1 and 2 can be set to one of 12 different effects,

Page 26

DelayThe Delay effect can be used to create echoes and other related effects. The Time slider is used for setting the delay time (in milliseconds). Th

Page 27

St (Stereo) DelayThe Stereo delay works like the delay, but offers separate times for the left and right echo.The Time Left and Time Right sliders are

Page 28 - The Main Section

Ping Pong (Delay)The Ping Pong Delay lets the signal move from left to right and back, a bit like a game of ping pongThe Ping Pong (Delay) funct

Page 29 - Voice Limit

ChorusThe Chorus effect can be used to thicken a single sound creating the impression that it contains multiple voices. The Chorus works by mixing del

Page 30 - – On: Glide is applied

PhaserThe CrX4’s Phaser can be used to create swirling dynamic movement in sounds. The Phaser effect is created by automatically sweeping a series of

Page 31

FilterThe Drive slider (Saturation) enables you to set the amount of filter drive or distortion. This can be used to create a warmer, fatter sound.The

Page 32

ReverbThe Reverb effect is used to add ambiance to sounds. The Roomsize slider is used to set the size of the simulated room. The Roomsize varies from

Page 33 - St (Stereo) Delay

FlangerThe CrX4’s Flanger can be used to create the classic flange effect produced by using two analog tape machines playing back the same signal but

Page 34 - Ping Pong (Delay)

Table of ContentsWelcome... 3Installation...

Page 35

GatorGator effect is a step-controlled audio gate that can be used to create rhythmic, stuttering and pulsing effects. The effect is unique in that it

Page 36

Stereo EnhancerThe CrX4’s Stereo Enhancer can be used to increase the width of the instrument’s stereo image. The Stereo Enhancer’s Room parameter ope

Page 37 - – BR12 (Band Reject 12 dB)

CrusherThe CrX4’s Crusher is a distortion effect that combines bit-depth and sample-rate reduction with “smoothing” algorithms allowing the resolution

Page 38

The Divider Mode popup menu determines how the output sample value is created from the input samples. Three options are available: – AVG” (Average) op

Page 39

ModulationOne of the key features of the CrX4 are its sophisticated modulation capabilities. The instrument contains 6 independent ADSFR envelopes, 4

Page 40

The Envelopes are positioned in each Filter, the Main Section and the Modulation Section (Gen/Mod Envelope). All six envelopes are exactly the same. T

Page 41 - Parametric EQ

somewhat a bit similar to applying a compressor. The range is again 0 millisecond to 10 seconds.DecayThe Decay dial setting determines the time it tak

Page 42

LFOThe CrX4’s LFO (“Low Frequency Oscillator”) modules are located on the lower left of the instrument’s user interface, above the Arpeggiator.An LFO

Page 43

In M (Mono) mode one LFO is applied to all synth voices simultaneously, so all voices share one permanently running LFO. Moreover the LFO is synced to

Page 44 - Modulation

Modulation MatrixThe CrX4's Modulation Matrix allows you to create 10 user-defined modulation routings. 56 modulation destinations are available

Page 45 - Envelope Parameters

Ping Pong (Delay)... 34Chorus...

Page 46

ArpeggiatorThe CrX4's Arpeggiator allows you to create user-defined arpeggios. Arpeggios are chords that are played as separate successive notes

Page 47

§ Random: In this mode the notes of the chord are played in a random, arbitrary order.§ Chord: In this mode the Arpeggiator does not play the chord as

Page 48

Also note that the arpeggio will vary so that when it returns to step one it will now play an E with velocity of 127 and 1/16th duration; that's

Page 49 - Modulation Matrix

Preset BrowserThe Preset Browser section is located on the bottom center of the main panel. It consists of several separate controls: The Bank/Preset

Page 50 - Arpeggiator

preset the user interface returns to normal.Note that the currently loaded bank or preset is displayed in a different color in the bank or preset list

Page 51

To use the CrX4’s ECS feature, proceed as follows. Click on the ECS button and then select “Learn” from the popup menu. Select a CrX4 parameter with t

Page 52

SetupThe CrX4’s Setup panel can be accessed by clicking on the Setup button at the lower right of the instrument. The Setup panel contains various con

Page 53 - Preset Browser

Library Location / Startup PatchWhen you install CronoX the Library (presets consisting of the parameter settings and the samples) are placed in a def

Page 54 - ECS (Easy Controller Setup)

OptionsThe Options are located in the upper right of the Settings panel Master Tune is used to set the overall tuning of the CrX4 if no microtuning fi

Page 55 - Master Volume

The “Allow Host Program Change” is similar, but allows or suppresses the host to change a program (patch) in CrX4. The default is again On.Auto Close

Page 56 - Registration

InstallationInstallation on MacAfter downloading the LinPlug CrX4 for Mac you will find a file named "CrX4 Installer nnn.dmg&q

Page 57

GlossaryAM: AM or Amplitude Modulation is a process where the amplitude of one oscillator (the carrier) is controlled by another (the modulator). When

Page 58

LFO: An LFO or Low Frequency Oscillator is a periodic signal source (usually below audio frequency range) used to modulate another modu

Page 59

MIDI Implementation ChartProduct: LinPlug CronoX Version 4.x Date: 5.June 2012 Manufacturer LinPlug Virtual Instruments GmbHFunction Transmitted Reco

Page 60 - Glossary

Appendix A: Tempo Sync SettingsTempo Sync is available Off, 1/2, 1/2T, 1/4*, 1/4, 1/4T, 1/8*, 1/8, 1/8T, 1/16*, 1/16, 1/16T, 1/32*, 1/32, 1/32T.Note:

Page 61

Appendix B: Modulation Matrix SourcesTwo types of modulation source are available: unipolar and bipolar. Unipolar modulation sources increase the modu

Page 62 - MIDI Implementation Chart

Expression Contr. MIDI CC 11 (unipolar).LFO 1 LFO 1 (bipolar).LFO 2 LFO 2 (bipolar).LFO 3 LFO 3 (bipolar).LFO 4 LFO 4 (bipolar).GenEnvelope 1, 2 The e

Page 63

Appendix C: Modulation Matrix Destinations “---“ No modulation destination is selected.Note: All 4 Generators offer the same modulation destinations i

Page 64

Note: The Filters 1 and 2 offer the same modulation optionsFilter Saturation The Amount of Saturation which is applied at the filter input.Filter Cuto

Page 65

LFO Speed Speed of one of the four LFOs, this allows tempo changes of the LFO to be modulated by in example another LFO, Envelope or MIDI controller.

Page 66

Appendix D: Using TUN files in the CrX4By Jacky LigonAbout Microtuning Microtuning makes it possible for musicians and composers to change the underly

Page 67

Common to Mac and PCThe first time the LinPlug CrX4 is started a Serial Number edit box will be visible on the Setup page. It reads &quo

Page 68

required for microtuning a wide range of hardware and software synthesizers and samplers. Scala may also be used to create the TUN format microtuning

Page 69

various Delays, Chorus, Phaser, Filter, Reverb, Flanger, Gator, Stereo Enhancer, Parametric EQ and Crusher.§ Mono/Polyphonic Portamento/Glide featurin

Page 70

output of filter 1 is send to filter 2 and the output of filter 2 is sent to the effect 1.Following the Filter section is the CrX4's Effects sect

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